What do you write in boxes like this that can sum up what you're about in a few handy sentences?
I like watching stuff, a wide variety of stuff, but not UFC so don't ask me about those - had a couple bad experiences in the past, you can find them if you look hard enough.
Music wise, I like a lot of synth and also synth with guitar, sometimes I'll even listen to guitar without synth but I have to be in a very good mood for that. I don't ask for a lot, just melody, good rhythm and some real basslines rather than just the one note variety.
Oh, and big drums are good too...
That'll do for now.
Contact me on mySpace here:
www.myspace.com/si_reviewer

Back in 1981, the second and most successful incarnation of Ultravox released their seminal single Vienna to critical acclaim. This rather moody and epic electronic ballad was set to provide the band consisting of Midge Ure, Billy Currie, Chris Cross and Warren Cann with the ultimate acclaim of public approval. Alas it was not to be.
For Australian comedian & singer/songwriter Joe Dolce just happened to release faux Italian singalong Shaddup You Face at just the right moment and a wave of public insanity carried this tune to the top slot, forever banishing Ultravox to the number 2 slot and a lifetime of painful jokes for the Ultravox faithful. The band never did get the top slot despite coming close on a couple of occasions.
Now, nearly 30 years later, buoyed by the successful Facebook campaign that saw Simon Cowell's dominance over the Xmas number one slot broken in favour of Rage Against The Machine, a group of Ultravox fans have started a new campaign to right a wrong and attempt to give Ultravox the number one they deserved and were so cruelly denied. With support from the likes of Jonathon Ross who has proclaimed support for the campaign on Twitter, momentum is building with even STV news getting in on the act...
The target date is 4th April 2010, with downloads commencing on 29th March 2010 of the remastered single edit of Vienna from the band's latest and remastered Greatest Hits compilation.
Link for the track on Amazon.co.uk is here: http://www.amazon.co.uk/Vienna-2009-Digital-Remaster/dp/B001YJFLGY
iTunes link is here: http://itunes.apple.com/gb/album/vienna-single-version/id308567514?i=308567518
As befits this attempt and in the spirit of providing a proper chart race, a rival group to place the Joe Dolce track back to number one in the same week has also started, with presence from Joe Dolce himself. This could lead to the biggest chart race since Oasis/Blur back in the mid-90's (tongue firmly in cheek...). Anyway, forget the novelty track and suck in your cheeks and be pretentious for a week, you know you want to.
This means nothing to me...
Links:
Official Ultravox website: http://www.ultravox.org.uk/
The two main Facebook groups can be found here:
http://www.facebook.com/group.php?gid=90410227602
and
http://www.facebook.com/group.php?gid=252019663097
Posted by Si Wooldridge
Oh God! This is getting ridiculous...is britain made entirely of sheep?
I agree that there would be some pleasure in keeping some of the more inane tracks from the top of the charts but then the charts was always intended for the young. This creaking old track sounds impossibly dated now and should be confined to yesteryear where it can take its place with some dignity. A good track for the time, but let's not let a cynical stunt like this put more coffers in bandwagon hopping Midge Ure's pockets? What next - Slik on the X-Factor?
It's been a long time since the last blog entry, I didn't realise just how dedicated you need to be in order to keep the level of entries up. Still, thought I'd try and reboot it in the grand tradition of Hollywood blockbusters and this is my first attempt. I've decided to try and put up regular pieces that reflect my musical taste so there'll be a mix of things appearing here but I'm also looking to include pieces on not-so-well-known bands that I actually think are quite good and I really couldn't have asked for a better band as a starting point.
I've known Kirlian Blue in a virtual sense for a number of years now and happen to love the musical output of his partnership with Rocky Goode, I'm amazed that they haven't received more mainstream attention so far, particularly last year which turned out to be the year of the synth.
Anyway, ladies and gentlemen, I give you...
The Thought Criminals
The first gig performed by this fledging electro band was in a backstreet pub near New Cross in South London. For The Thought Criminals this was make or break, and of course in best musical tradition, Rocky and Kirlian hadn’t even rehearsed. The first four songs brought no response from the crowd and things were beginning to look bleak. Then something fused, everyone was suddenly up and dancing and there was a sound in the crowd. As an event, this was more than a little bizarre as very few, if any, two-piece electronic outfits in South London were attempting to play to Metal/Rock crowds, but the attitude of Rocky and Kirlian prevailed.
The Thought Criminals, with their demos of Electricity, Cyberslut (a huge live favourite), Date Rape Lovers and Revenge, started to appear on club compilations and compilation albums in the UK, Japan and North America. There was clear appeal for The Thought Criminals sound, with its mix of rather tongue in cheek sleazy lyrics and alternative dance beats and breaks fused with dark industrial and early 80’s electronic melodies that were ground up and bastardised into something so hook-laden that listeners just could not get the songs out of their heads.
2006 saw the recording of The Thought Criminals debut album and the band were on the prowl for a label to unleash their mainfesto onto an unsuspecting public. Sadly, despite massive effort on the bands part, they met a muted response, got fed up with the whole thing and instead self-released a digital single called I Want To Be A Celebrity. This move brought the band enough interest for The Thought Criminals to be offered a deal by some dubious record label owner. The band was already playing the likes of the Brixton Mass and headlining legendary venues such as The 333 Club, The Hope and Anchor and The Dublin Castle as well as several University Student Unions; this without any manager, press or radio play in the UK.
With this exposure, the fan base grew quite rapidly although unfortunately the deal with said dubious record label turned sour just after the band had built up a following big enough to headline the Underworld in Camden and self promote the event. Around this time, The Thought Criminals released Suicide Bomber as their second Digital Single, a highly topical and catchy track if more than a little tongue in cheek lyrically, which to this day is one of the most notorious under-the-radar songs released.
By 2008 The Thought Criminals had put themselves about a bit, playing in Ireland and Sweden amongst other places. During this year Rocky and Kirlian decided to head back to their more electronic roots and said goodbye to their live guitarists at the Brixton Mass. Then things started to look up a little more as WTII Records (formally known as WAX TRAX!) asked if the band would be willing to release Die Young: Stay Pretty through them and by November 2008 it was being distributed across America and getting positive reviews whilst also picking up a lot of airplay.
By this time Rocky and Kirlian decided to enlist another keyboardist as they didn’t want to look like a bastardised version Pet Shop Boys, like they did when they started. And so new member Enigma joined The Thought Criminals in 2009 with the band headlining a sell out gig at London’s Fetish/Industrial Club with a capacity of 1300.
The Thought Criminals are currently working on their second album entitled You’re A Moral Liability.
Read my review of their debut album here: http://www.myreviewer.com/default/a106219/Die_Young_Stay_Pretty_Review
Buy the album here: http://www.wtiirecords.com/releases/release.php?id=wtii051 or as an mp3 album from Amazon here: http://www.amazon.co.uk/Die-Young-Stay-Pretty/dp/B002GGDRB0/ref=sr_1_1?ie=UTF8&s=dmusic&qid=1263471418&sr=8-1
Posted by Si Wooldridge
Alwys preferred the pre-Midge Ure period with John Foxx. Truly innovative. Without the first Ultravox album there would have been no Tubeway Army - and probably no early 80's post-punk synth revolution. Loved all three of the first LP's but hated the later stuff. Still - most the world disagreed!!
Have to admit that I've never had much time for the first two albums, although that didn't stop me picking up them up when remastered and re-issued last year. Like the odd track, but on the whole, can't really listen to them that much.
Now Systems of Romance is a different kettle of fish altogether. This album is superb and really did make a difference, although I'm not convinced it made as much of an impact artistically as Bowie's Berlin period. Certainly it made Numan look at a synthesiser, don't really remember anyone else at the time namechecking them, and he took Billy Currie on tour with him and included him on The Pleasure Principle album.
Still believe that the Ure-Vox lineup is the best though...
I agree that Bowie / Eno was a huge influence on the genre though if you listen to the track 'My Sex' off the first Ultravox album you have to concede that the Numanesque 'automotan' sound was born. Having said that, the first two LP's are schizophrenic in that they show a band with one foot in punk and the other edging towards the euro-synth scene. As you rightly say, by 'Systems of Romance' they had found their sound.
I remember John Foxx taking a lot of stick for his first solo LP (Metamatic - with the singles 'Burning Car' and 'Underpass') for copying Numan. Very unfair. Foxx had been pre-occupied by JG Ballards works for some time ...a rich seam of imagery borrowed by Numan and who then made it his own.
I would agree with you and obviously with Eno producing that first album, he may have pushed them in that direction in part as well. There are songs that I like on both albums (My Sex, Hiroshima Mon Amour for example), but they don't do as much for me as complete recordings as SOR onwards, although I only picked that up for the first time after Rage In Eden when someone gave it to me as a discarded birthday present when I was 14.
I missed Foxx initially as I was living in Germany from 76 to 85 so could only really go from Smash Hits, Top Of The Pops and Tommy Vance's Top 40 programme, which I'm sure was a Top 20 at that point. I remember The Sun printing chart listings (again Top 20) every week, but I didn't really have the reference points to recognise a lot of the stuff I was seeing.
Numan also got a lot of stick, for copying Bowie if I remember correctly, but the one thing he's been consistent about is name checking SOR as his biggest influence on his early music. I never really got into Metamatic either, maybe if I'd heard it at the time it would be a different story. Aside from a couple of singles (Underpass and Endlessly), my first album exposure to Foxx was The Golden Section, which I still believe is the finest thing he's done.
I've bought a couple of his latest albums, not really into the ambient Cathedral Oceans series, and a lot of his recent stuff tends to be too long and drawn out techno-esque music at the moment. Which, talking about My Sex, reminds me of when I went to see him on the Crash And Burn tour in Glasgow back in '03 I think.
I was near the front of the stage when Foxx started 'My Sex waits for me...', and a slightly inebriated young lady just behind me yelled 'Never mind my sex, just show us your c*ck!'. Very funny, Louie Gordon almost collapsed behind his keyboard but a few of the black t-shirt gang near me were very disapproving of this uncouth behaviour.